Author Archives: D-AW

David-Antoine Williams. I’m an assistant professor of English at St Jerome’s University, in the University of Waterloo. I’m carrying out research on “poetry and contingency”, funded by an Insight Development Grant from the Social Sciences and Humanities Research Council of Canada. See “About Me” page on the menu above for details.

‘Poetical’ Etymologies?

This post is more about how the term ‘poetical’ tends to be used pejoratively, and how it corresponds to the term ‘etymologies’, rather than about any actually poetical etymologies, or etymological poetry, both of which I do think exist. This morning’s Language Log brings us a post called ‘Poetical Etymologies‘, which reproduces this Wondermark cartoon:

Ways of Looking at “The Windhover”

Gotthold Lessing is credited (among other things) with pointing out that it’s weird for Classical writers to describe the art of poetry in terms of the visual arts, since poetry happens sequentially in time, and painting happens statically in space. But Lessing is wrong, or at least overly categorical. Before a word is read, a […]

Literally Etymologically

Etymologically, ‘literal’ means ‘Of, relating to, or of the nature of a letter, or the letters, of the alphabet’. To be precise about what I mean by ‘etymologically’ here, I’m referring to the earliest English use of word as recorded in OED3 (John Trevisa, a1398). I don’t mean the prior senses of Middle French literal, […]

Literally Truly

Or, whence the Literalville Contradiction? In the comments to LL’s repost of my “Literally Metaphorically” , Jeff Carney writes: D-AW has missed the boat here. Don’t think I like Rush, but nowhere in the transcript we’re linked to does he contrast being literal with being figurative. He seems to equate being literal with being true. […]

Literally Metaphorically

Rush Limbaugh, modern Epimenides? Wikipedia tells me that Limbaugh lives in West Palm Beach, FL. Yet for years now he has been telling listeners something different: Now, look, folks, as I’ve told you countless times, I live in Literalville.    [Transcript, 10.9.2010] It’s an outright lie, and I know this because Rush doesn’t do metaphor. In […]

Attributions and intertexts: ‘Wrinching and spraining the text’

Recently I posted about my idea to teach a computer to look for allusions to the Oxford English Dictionary in poems. A while ago I came across an instance of intertextual reference in a poem by Geoffrey Hill which illustrates really well several of the issues that arise when dealing with the OED, which is […]

The OED in Poetry

Some poems mention looking etymologies up in the Oxford English Dictionary. Paul Muldoon’s “Cows” does this, near-rhyming ‘protestations of O.E.D.’ with ‘fade’ and ‘jade’ (the rhyme works best if you lexicalize the acronym and pronounce it with its preposition, like ‘of owed’). His “Hedge School” remembers ‘tracing the root of metastasis‘ in the New Shorter […]

“Obsession” on the active-passive divide?

Geoffrey Hill’s poem “Of Commerce and Society: 4” has received critical attention from almost everyone (partial list: Sherry, Knottenbelt, O’Neill, Robinson, Wainwright, Hart, Bloom, Ricks, and me). So I was surprised recently when I had (what I think is) a brand new thought about it.

Poetical Lexicography

The OED was conceived as a dictionary ‘on historical principles’. The practice employed from the beginning was to illustrate the several sense definitions of a word over time with quotations from published material across the lifespan of that sense. Currently I’m engaged in trying to quantify the extent of poetical sense illustration in the OED.  […]

Poems in the OED

Computer scientists at the University of Waterloo were responsible for digitizing the Oxford English Dictionary, 2nd edition (OED2), in the late 1980s. Initially available on CD-ROM, this eventually became the OED Online. The database has quickly replaced the printed dictionary as a first point of call for the word-curious, primarily because the extensive mark-up of […]

Project

In 2011-13, I’m investigating questions about poetry, value, and accident, in the context of a SSHRC Insight Development Grant, intended to ‘enable the development of new research questions, as well as experimentation with new methods, theoretical approaches and/or ideas’. The questions and methods I’m exploring all have something to do with why contingency, or accident, […]